

f/1.4 · Johannesburg
We shoot the
whole thing
A one stop production house. Pitch to delivery, pre production through live broadcast, post and multiplatform.
f/2.8 · 01 / The Work
Selected
productions
f/4 · 02 / Craft
The whole
pipeline
Wylder Production handles TV production and post, social content and corporate events end to end. One team from the pitch through to delivery, so nothing gets lost in the handover. There isn't one.
f/4 · 01
Pre Production
Before anyone picks up a camera.
- PitchingProposals, treatments and presentations
- BudgetingFinancial planning and cost management
- ScriptingStory development and script writing
- LocationsVenue scouting, hire and clearance
- GearEquipment specification and rental
- CrewTalent booking and crew coordination
- SchedulingProduction timelines and rollout
f/5.6 · 02
Production
On set, on location, on air.
- ProducingDay to day coordination and management
- DirectingCreative direction and performance
- CinematographyDirector of photography and camera
- MulticamMulticamera studio and field recording
- Live StreamingBroadcast grade live delivery
- SatelliteSatellite link management and transmission
- LightingLighting design and execution
- SoundLocation recording and on set mixing
- Set DesignProduction design and construction
- StylingWardrobe and costume
- Make UpHair and makeup artistry
f/8 · 03
Post Production
Where the thing actually becomes itself.
- Offline EditAssembly, rough cuts and structure
- Online EditConform, grade and finishing
- Final MixAudio post production and mastering
- Music LicensingLibrary sourcing and rights clearance
- Cloud ReviewRemote revision and client approval
f/11 · 04
Delivery
Out the door and accounted for.
- MultiplatformDistribution across broadcast and social
- ComplianceFCC and broadcast standards management
- Cue SheetsMusic and content reporting
- Media ManagementAsset organisation and archival
- Central ServerCentralised storage and retrieval
f/8 · 03 / Stills
From the
floor
f/11 · 04 / Start
Starting
a project
You do not need a finished brief or a fixed budget to talk to us. Most projects start as a rough idea and a date. Here is the route from there to a delivered master.
01
Enquiry
Send the idea, the deadline and a budget range. A paragraph is enough to start a conversation.
02
Treatment
We come back with an approach, a rough shape for the piece, and the questions that will decide what it costs.
03
Quote and schedule
A line-item quote and locked shoot dates. Nothing goes into the diary until you have signed it off.
04
Pre-production
Crew, cast, locations, permits, gear and the call sheet. This is the part that decides whether the shoot day is calm.
05
Production
The shoot itself. Single camera, multicam or live to air, whatever the format actually needs.
06
Post and delivery
Offline, online, grade, mix and masters in every format the broadcaster or platform asks for.
Have these ready and we can quote faster
- Deadline
- The air date or campaign date, even approximate.
- Budget range
- A range is fine. It changes what we propose, not whether we reply.
- References
- Two or three things you like, and one you do not.
- Deliverables
- Where it runs, and which cuts and formats you need.
Or call. We would rather talk it through than trade emails.
f/16 · 05 / Contact
Got something
to shoot?
Tell us the idea, the deadline and the budget. We'll tell you what it actually takes.




